Nancy Bowen

 

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ARTIST STATEMENT: NANCY BOWEN

My work weaves a decorative impulse into physical interpretations of various systems ranging from anatomy to Eastern religion. The pieces look partly familiar because parts are familiar, while the context or format is not. As a sculptor, I exult in the possibilities of form, and attempt to create forms that can not be easily named or located.

Visual experience for me is uniquely linked to the experience of inhabiting a body and perceiving the world through that vehicle. In this kind of haptic visuality, the eye functions almost as an organ of touch. I am interested in the physicality of the world and how perceptions of that world can be translated into a sculptural experience. Often in my sculpture there exists a body metaphor which is confounded by the material insistence of the elements from which the sculpture is made. The pieces may speak of the contradictions of pleasure and pain, or beauty and horror, and are often mediated by humor which is sometimes perverse. Always they bring the viewer back to an awareness of the ultimate objectness of sculpture.

The form and content of my sculpture are inextricably wed and best express themselves through the use of materials. Materials having a familiar lushness and sensuality, such as human hair or glass, seduce the viewer’s eye into interacting with the sculpture. Once seduced, the viewer then negotiates a more complex interaction with the piece that may evoke memories of a physical experience. The use of tactile materials combined with organic form accentuates the visceral sensuality of the work. Drawing on the visual language of applied arts such as pottery, furniture and other decorative arts, I combine elements of a familiar "lived in" world with the unknown visual world of the internal body. The mixing of anatomical forms with decorative art forms creates a new genus of object- one which is unnameable, a kind of strange/familiar that is difficult to categorize and often difficult to describe with language.

 

RESUMÉp


NANCY BOWEN
183 Freeman St. #2L
Brooklyn, N.Y. 11222

 
   
SOLO & TWO PERSON EXHIBITIONS:

2003

Commissioned outdoor sculpture, DePauw University, Greencastle, IN

2001

"Above and Below", Flecker Memorial Gallery, Suffolk Community College, NY

James Gallery, Houston, TX (with Kim Squaglia)

"Maine Knotted Path", (outdoor installation), College of the Atlantic, Bar Harbor, ME

1998

"Figuring the Body ", Zikha Gallery, Wesleyan University, Middletown, CT. (with Nancy Davidson) (catalogue)

1996

One Great Jones, NYC

1995

European Ceramic Work Center, s’Hertogenbosch, The Netherlands

1994

Chidlaw Gallery, The Art Academy of Cincinnati, Cincinnati, OH

1993

Annina Nosei Gallery, NYC

1992

Grover Thurston Gallery, Seattle, WA

Emison Art Center, DePauw University, Greencastle, IN

1991

Annina Nosei Gallery, NYC (with Gary Lang)

Betsy Rosenfield Gallery, Chicago, IL

1990

Annina Nosei Gallery, NYC

1987

Zilkha Gallery, Wesleyan University, Middletown, CT (catalogue) Wheeler Gallery, Providence, RI

1983

Susan Caldwell Gallery, NYC

1981

Galerie Farideh Cadot, Paris

SELECTED GROUP EXHIBITIONS:
2004 "Somatic Scales", Boston Center for the Arts, Boston, MA
2003 "Corporal Identity- Body Language", Museum fur Angewandte Kunst, Frankfurt, Germany and Museum of Arts & Design, NYC
"Sacred Waterways" Lower Manhattan Cultural Council and the Interfaith Center of New York at sites along Hudson River (commissioned works)
"Human Factor", Smith Gallery, Lake Erie College, Painesville, OH.
2002 "Human Factor", Artspace, Maynard, MA
"Kiss the Spirits", Artemesia Gallery, Chicago
"A Delicate Balance: New York Responds to 9/11", Turrets Gallery, College of the Atlantic, Bar Harbor, ME
"Drawings by Sculptors for Sculpture", Andrews Gallery, William and Mary College, Williamsburg, VA
"New Media: Experiments in Digital Printmaking", Maas Gallery, SUNY Purchase

2001

"Material World", Susquehanna Art Museum, Harrisburg, PA

"Humanoid", Frederieke Taylor Gallery, NYC

"Re/New", James Gallery, Houston, TX

"Humanoid", Diverseworks, Houston, TX.

2000

"Minding Glass", Susquehanna Art Museum, Harrisburg,PA

"Higher Elevations", College of the Atlantic, Bar Harbor, ME

1999

"Five Sculptors", Kendall Fine Arts, Hudson , NY

"Paper Pots II", John Elder Gallery, NYC

"Om!", Dorsky Gallery, NYC

"Humanoid", Vedanta Gallery, Chicago, IL

1998

"Peep Show", Luise Ross Gallery, NYC

"Sculptors’ Drawings", Bard College Gallery, Annandale-on-Hudson, NY

"Pieces II", 128 Rivington Street Gallery, NYC

Pilchuck Annual Auction Exhibition, Seattle, WA

1997

"Calido!", Tucson Museum of Art, Tucson, AZ (travelling) (catalogue)

"Hair Do", The Workspace Gallery, NYC

"Generations", AIR Gallery, NYC

"A Game of Chance", Printworks Gallery, Chicago, IL

Pilchuck Annual Auction Exhibition, Seattle, WA

"Sculptural Imagery", The Workspace Gallery, NYC

1996

"Splash", Monique Knowlton Gallery, NYC

"Square Bubbles", Mandeville Gallery, Union College, NY (catalogue)

"Ladies Lounge", Livestock Gallery, NYC

1995

"Small Bronzes", TZ Art & Co., NYC

"Pulp Fashion", Dieu Donne Gallery, NYC

"Seductive Matter", Rice University Art Gallery, Houston, TX

"Seductive Matter: Sensual Form", The Corcoran Gallery of Art, Washington, D.C.

"Six Artists", The Wallach Gallery, Columbia University, NYC

1994

"Issues of Abstraction", Allegheny College, Meadville, PA

"Glass Biennial", Urbanglass, NYC (catalogue)

1993

Group Show, Annina Nosei Gallery at Basel Art Fair

"In Quest of Being: Glass", Three Rivers Arts Festival, Pittsburgh, PA. (catalogue)

"Paper", Diane Brown Gallery, NYC

1992

"America Mundo: Drawings", Annina Nosei Gallery, NYC

Group Show, Betsy Rosenfield Gallery, Chicago, IL

1991

"Glass: Material in the Service of Meaning", Tacoma Art Museum, Tacoma,WA (catalogue)

"Abstract Information: Printmaking at the End of the Century", Sacred Heart University Art Gallery, CT., and Proctor Art Gallery, Bard College, N.Y. (catalogue)

"Bion", Betsy Rosenfield Gallery, Chicago, IL

"Le Verre", Espace Duchamp-Villon, Rouen, France

1990

"Gifts From Bard College", Kanazawa College of Art, Japan (catalogue)

"Fragments, Parts, Wholes: The Body and Culture", White Columns, NYC

"Bad Girls", Aljira Art Center, Newark, NJ

1989

"Body Fragments", Shea & Becker Gallery, NYC

"Sculpture ‘89", University Art Gallery, S.U.N.Y.Albany, Albany, NY (catalogue)

1988

"The Politics of Gender", Kingsborough Community College, NY C (catalogue)

Group Show, Transavantegarde Gallery, Austin, TX

1987

"In Pieces: The Figure Fragmented", P.S. 122 Gallery, NYC

"Stanford in New York", Charles Cowles Annex Gallery, NYC (catalogue)

"Fragments", Annina Nosei Gallery, NYC

1986

"Heads", Mokatoff Gallery, NYC

"Figurative Sculpture: The Eighties", Marilyn Pearl Gallery, NYC

"Drawing Down the Moon", Cultural Center #1199, NYC

1985

"Body and Soul: Recent Figurative Sculpture" The Contemporary Arts Center, Cincinnati, OH (travelling) (catalogue)

"The Figure Renewed", Freedman Gallery, Albright College, Reading, PA (catalogue)

"Situations", curated by M.O.M.A. Lending Service for Dancer, Fitzgerald, Sample, NYC

"Toys & Ornaments", Vanderwoude Tanenbaum Gallery, NYC

1984

"A Celebration of Women Artists: The Recent Generation", Sidney Janis Gallery, NYC

"Activated Walls", The Queens Museum, NYC (catalogue)

1983

"Sculpture Now: Recent Figurative Works", The Institute of Contemporary Arts, Virginia Museum, Richmond, VA (catalogue)

"Painted Objects", Marilyn Pearl Gallery, NYC

"Inside Spaces", curated by M.O.M.A. Lending Service for General Electric, Fairfield, CT

"Chinese Chance Fourth Anniversary Exhibition", One University Place, NYC

1982

"New New York", Florida State University, Tallahassee, FL and Phoenix Art Museum, AZ (catalogue)

"By the Sea", Barbara Toll Gallery, NYC

"Invitational I", Rosa Esman Gallery, NYC

"Painting & Sculpture", Zabriskie Gallery, NYC

1981

"Summer Invitational", Barbara Toll Fine Arts, NYC

"Chicago Artists", Centre d’Arte Contemporain, Geneva, Switzerland

"Narrative Sculpture", The Sculpture Center, NYC (catalogue)

1981

"Relief(s)", (Bowen/Hazlitt/Tuttle), L’Institut Americain, Rennes, France

"Heresies Benefit Invitational", Grey Art Gallery, New York University, NYC

1980  

"Non-Naive" (Bowen/Golden/Zieve), Hyde Park Art Center, Chicago, IL

"Artists From Chicago", Galerie Farideh Cadot, Paris

"All That Glitters", Marilyn Pearl Gallery, NYC

"Discovery/Rediscovery", The Sculpture Center, NYC

"American Reliefs", Galerie Tanit, Munich, Germany

GRANTS/AWARDS:

1994

National Endowment for the Arts, Sculpture Fellowship

1992

Empire State Craft Alliance Award

1989

New York Foundation for the Arts, Sculpture Fellowship

1986

Art Matters, Inc., Individual Award

RESIDENCIES:

2002

Residency, Yaddo, Saratoga Springs, NY

2001

Summer Residency, College of the Atlantic, Bar Harbor, ME

1995

Residency, European Ceramics Work Centre, Hertogenbosch, The Netherlands

1993

Residency, Centrum Foundation, Pt. Townsend, WA (printmaking)

1992

Residency, Yaddo, Saratoga Springs, NY

1990

Phillip Morris Fellowship, Residency, Yaddo, Saratoga Springs, NY

Sculptor-in-Residence, Pilchuck Glass School, Stanwood, WA

1989

Visiting Artist, American Academy in Rome (8 months)

Artist-in-Residence, Centre International de Recherche sur le Verre et les Arts Plastiques (CIRVA), Marseilles,France (1 month)

 
SELECTED BIBLIOGRAPHY:

Krivitsky, Kristy. "Review", Minding Glass, ArtPapers, Jan-Feb. 2001, p. 41 , illus.

Zwartjes, Arend. Review" Humanoid, ArtLies, Spring 2001, p.67-68

Schlegel, Amy. "Review", Sculpture, November 1998, p. 67-69

Zimmer, William. "Flights of Creation by Women", The New York Times, February 15, 1998, p.18

Katz, Vincent. "Review", Art in America, September 1997, p 113

Canning, Susan. "Review", The New Art Examiner, April 1997, p. 48

Levin, Kim. "Critic’s Choice", The Village Voice, January 10, 1997

Burkey, Bryan. "Review", Critical Review, December 1996. (on-line magazine)

Chambers, Karen. "Review", Internet ArtResources, December 1996. (on-line magazine)

Koplos, Janet. "Nancy Bowen: An Inside View", Glass, #61, Winter 1995, p. 26-31

Ramljak, Suzanne. "The Art of Seduction", Sculpture, Sept.- Oct. 1995, p. 29-33

Netzer, Sylvia. "Three New York Artists: Judy Pfaff, Kiki Smith, Nancy Bowen", Neues Glas, #2, 1995

Nixon, Mignon. "Bad Enough Mother", October, #71, Winter, 1995, p. 82

Perrault, John. "The Newest Biennial: Ideas in Glass", Glass, #57, Fall 1994

Mennin, Mark. "Review", American Ceramics, vol. 11/2, Spring 1994

Koplos , Janet. "Review", Art in America, February 1994

Schwabsky, Barry. "Review", Artforum, January 1994

Raven, Arlene. "A Breed Apart", The Village Voice, November 2, 1993

Levin, Kim. "Voice Choices, The Village Voice, October 26, 1993

Filipovna, Valerie."Nancy Bowen: Visceral Sculptor", Paper Magazine, October 1993

Hackett, Regina. "Nancy Bowen", The Seattle Post-Intelligencer, July 20, 1992

Kangas, Matthew. "Review", Sculpture, May- June 1992

Luecking, Stephen. "Review", American Ceramics , Summer 1991

Kirshner, Judith Russi. "Review", Artforum, April 1991

Netzer, Sylvia. "Review", Glass, #41, Fall 1990

Johnson, Ken. "Review", Art in America, October 1991

Raynor, Vivien. "Two Shows: ‘Bad Girls’ and ‘Personal Visions’, The New York Times, March 4, 1990

Watkins, Eileen. "Review", The Star Ledger, March 2, 1990

Raven, Arlene. "Hallowed Hearts", The Village Voice, March 3, 1989

Raven, Arlene. "Art Throb", Lears, November 1989

Van Siclen, Bill. "Back to Body with Bowen", The Providence-Journal Bulletin, November 13, 1987

Raven, Arlene. "Review", The New Art Examiner, May 1987

Hanson, Bernard. "Master Printer, Feminist Sculpture", The Hartford Courant, January 25, 1987

Nemeczek, Alfred. "Frauenbilder aus New York", Art : Das Kunstmagazin, September 1986

Sawma, Charlotte. "Die Wilden Schwestern:Frauen Machen Frauen", Schweizer Illustriert, January 1986.

Brenson, Michael. "Figurative Sculpture of the Eighties", The New York Times, June 17, 1984

Preston, Malcom. "Some on the Wall Creations", Newsday, November 1, 1984

Gerrit, Henry. "Review", ArtNews, November 1982

Fort, Susan. "Review", Arts, November 1982

Xavier, Girard. "Review", Art Press, June 1981

Henley, John. "Nancy Bowen; Scenes de la Vie Surreale", Art Press, February 1981

Leonhart, Mark. "Review", The New Art Examiner, March 1980

Haydon, Harold. "Review", The Chicago Sun Times, September 9, 1980

BOOKS:

Glass Art from Urbanglass, Richard W. Yelle, Schiffer Art Books, NYC, 2000

Who’s Who in American Women 1997-98, pub. by A.N. Marquis, New Providence, NJ

The Artist Project: Portraits of the Real Art World, Peter Bellamy, IN Publishing, NYC, 1991

Exposures: Women & Their Art, text by Betty Ann Brown and Arlene Raven, photos by Kenna Love, Newsage Press, Pasadena, CA., 1989

 

TEACHING EXPERIENCE:

2001-present

SUNY at Purchase, Assistant Professor, Sculpture

1994-present

Milton Avery Graduate School of the Arts, Bard College, Summer Faculty

2000 -2001

Massachusetts College of Art, Visiting Associate Professor, Sculpture

1994-2000

Columbia University, Assistant Professor, Visual Arts

1990-1994

Sarah Lawrence College, Faculty in Sculpture (half-time)

1990 & 1992

Bard College, Visiting Assistant Professor in Sculpture (half-time)

1988

School of the Art Institute of Chicago, Visiting Assistant Professor

EDUCATION:
1990 M.F.A., Hunter College
1975-78 B.F.A., The School of the Art Institute of Chicago
1973-75 Stanford University
BORN: May 25, 1955 Providence, RI

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SHOW SCHEDULEthis s

Through June 2004 "Corporal Identity- Body Language",Museum of Arts and Design, NYC
June- August 2004 "Somatic Scales", Mills Gallery,Boston Center for the Arts, Boston, MA
| show reviews | artist's statement | resumé | show schedule | homepage | contact nancy |