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Drawing allows me a completely
different approach to questions that arise in the
sculpture. In a way, I am sculpting still- adding
and subtracting form with scissors, building surfaces
with dense charcoal. Often I impose figurative elements
onto abstract structures to create visual tension.
There is always a reference or a touch point to the
"real" world, such as anatomical diagrams,
or knotting systems. Meaning is found through an un-layering
of associations.
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